Mercenary Absolution
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John Alexander is approached by an agency individual named Van Horn. He is given a mission to kill an Afghani National who is suspected of providing terrorists with stealth technology. Alexander swears to Van Horn that before he takes this mission, he wants to make sure he is not being used for political gain and swears vengeance if that is the case. After the information was credible, Alexander and his associate Chi break into the compound and kill the Afghani National. Meanwhile, a girl is being beaten by a masked man and is able to secure her escape. She grabs the camera and a ledger detailing his network and his crimes. Alexander gets a call from Van Horn, saying his extraction is on hold which leads to Alexander suspecting foul play. Alexander and Chi head over to a bar, awaiting their extraction. They have a couple of drinks and cigars. The girl escapes the masked man's club and arrives at the same bar Alexander and Chi were at. She lands in his lap, begging for help while Alexander was hesitant but when the thugs touch him, he dispatches them with his martial arts skills. He and Chi both agree to meet back at the HQ, splitting up. The girl gets into Alexander's car and begs him to take her with. Alexander had his reservations and decided to let her in. Alexander is the first to arrive at the HQ and Chi notices the girl came with. Alexander and Chi lament over the fact that protocol is broken and the girl explains to them how the masked man was a mob boss who tortured girls for his own fun and detailed his crimes. While hesitant to help them, Alexander breaks into a brief monologue saying \"I have been a bad man... I have been a very bad man most of my life... I lost my faith in mankind and I believe everyone is out there to fuck me... But I decided I want to do one good thing in my life... One good thing before I die... Even if I die in the process... I need to do that for my own absolution\". He decides to help the girl, considering it his absolution for what he's done in his past. Van Horn calls and explains why he broke protocol and tells Alexander about how the girl was in trouble but the client wants the girl back. Alexander makes a phone call to a contact to get some gear and Chi takes off to handle the threat as well. In the ensuing chaos, Chi is captured by the mob boss and it's revealed Van Horn was in on the whole thing from the start. After a lengthy battle, Van Horn is killed by a vengeful Alexander and Chi is saved. Chi goes his own way as his debt to Alexander is paid and Alexander rests easy, leaving behind the shadows of his past.
Waxman confirmed that Seagal wrote his character's opening monologue. He says everyone on the film \"was just a little bit excited about the idea of hey, this one Steven wants to do something a little different. He was much more engaged with the character, much more engaged with the storyline, much more engaged with the idea that he had to have this absolution for this thing.\"[5]
John is looking for absolution for all the bad things he has done in his life and decides to hunt down the sick and twisted Boss. However, it turns out The Boss is the one who ordered the hit on Kamaal, and John is about to get a burn notice from the government agency that gave him the mission. Can John find The Boss before the Syndicate find John and ultimately receive his absolution
Absolution is the third recent movie in which Seagal plays a guy named Alexander making these movies somewhat of an unofficial trilogy. In Absolution Seagal is a mercenary who, after doing a job in Romania, encounters a prostitute named Nadia (Adina Stetcu) on the run from a mob boss (Vinnie Jones). He and his partner Chi take the girl to their safe house and want to provide her with some money to set her on her way. Jones however, has enough political ties to have the government that Alexander and Chi are working for try to take them out in order to return the girl to him. Now Chi and Alexander must fight their own employer and a bunch of Eastern European mafiosi to keep the girl safe.
Edward Wade was born in South Dakota, the same place of birth of Blake Dexter. The two were not friends until their adulthood. In some point of his life, Wade became a mercenary, gaining his reputation as a heartless murderer who will kill any possible witness he can find. He worked with Colombian cartels for some time, gaining the friendship of Blake Dexter.
Seagal and his mercenary partner kills some dudes and while having a drink after the killing they accidentally defend a woman who has escaped from human traffickers, and she asks them for help. So they kill some more dudes.
Following his confession, purgation and absolution at the hands of the healers of the House of Holiness the knight passes into the care of Charissa, where his spiritual education is broadened to include the virtue of charity or Christian love (I.x.33). Spenser continues the imagery of schooling in his description of Una's request that Charissa \"schoole her knight\" in \"her vertuous rules\" (I.x.32), an echo of the request made to Fidelia (I.x.18). Like Fidelia, Charissa delights in her task and imparts that delight to the audience. Spenser begins the stanza with an alliterative play upon \"joyous\" and \"just\" which lightens the atmosphere after the sober and tense portrayal of the knight's penance, while emphasising the worth of Charissa's lesson. Spenser himself draws a direct contrast between the cheerfulness and joy of Charissa's teaching and the \"torment\" of the \"sad house of Penance\" the knight has just left (I.x.32). Indeed, \"joyous\" is the theme adjective for Charissa, who rejoices in her children (I.x.31), themselves a \"happie brood\" (I.x.32), and exhibits friendship and cheerfulness to her guests (I.x.32):
31. Compare the Knight of Chaucer's Canterbury Tales, who is described as a \"parfit gentil knight\" following a description of his knightly exploits in the service of his faith (General Prologue 72). This description gives praise to the Knight's nobility and worth, while the proximity of Chaucer's list of his Christian martial activities conveys a sense of the contribution of these activities to his attainment of such perfection and gentility. Terry Jones' controversial interpretation of this list as actually indicative of the Knight's less than perfect career as a mercenary, rather than a soldier of God , gives an added dimension to Spenser's description of his knight as \"perfect\" and worthy, yet untried and innocent (I.i.1). See Terry Jones, Chaucer's Knight: The Portrait of a Medieval Mercenary, revised edition (London: Methuen, 1985), 95-111. 781b155fdc